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SUMMARY:The Other Love
DESCRIPTION:Visit the UCLA Film & Television Archive website to learn more 
 about upcoming screenings and events.\n\nFree admission. No advance 
 reservations. Ticketing is on a first come\, first served basis. Seats will 
 not be assigned.\n\nIntroduction by Head of Preservation Jillian 
 Borders.\n\nThe Other Love\n\nYear: 1947\nCountry: U.S.\nLanguage: 
 English\nRuntime: 99 min.\nDigital. B&W.\n\nWorld Premiere of New 
 Restoration\n\nBased on an unpublished short story by Erich Maria 
 Remarque\, The Other Love explores the existential themes of love and death 
 that recur throughout his novels\, such as Three Comrades and Arch of 
 Triumph. The plot concerns a concert pianist\, Karen Duncan (Barbara 
 Stanwyck)\, convalescing from tuberculosis in the Alps\, who is tempted by 
 a short\, adventure-filled life as opposed to the sedate existence in the 
 sanatorium that offers her a chance at a future. She must choose between 
 two lovers: her doctor (David Niven) and an impetuous race car driver 
 (Richard Conte). Director André de Toth\, though better known for helming 
 gutsy and tense low-budget Western and film noir projects than for 
 high-fashion “woman’s pictures\,” guides his stellar cast\, as well 
 as cinematographer Victor Milner and composer Miklós Rózsa\, to deliver a 
 moody and melodramatic gem.\n\nAn early feature from Enterprise 
 Productions\, The Other Love was released to significant fanfare with an 
 equally large marketing pitch. The independent production company was 
 founded as an alternative to the vertically integrated major studios\, with 
 the egalitarian hope that talent partnerships would yield larger profit 
 participation for all involved. The rollout for The Other Love spared no 
 expense\, with months of advance print and radio advertising\, extensive 
 promotional tie-ins and a U.S. premiere aboard a DC-6 airliner. 
 Unfortunately\, Enterprise’s bloated budgets took a toll\, and the studio 
 only lasted three years until its bankruptcy — though not before 
 releasing such classics as Body and Soul (1947)\, Ramrod (1947) and Force 
 of Evil (1949).\n\nAfter the premiere and preview screenings of The Other 
 Love\, the original longer ending was replaced with one deemed more 
 palatable to American audiences for its general U.S. release. This original 
 version\, now restored\, has not been seen by audiences since the 
 1940s.—Jillian Borders\n\nDCP. Production: Enterprise Productions\, Inc. 
 Distribution: United Artists. Producer: David Lewis. Director: André de 
 Toth. Screenwriters: Ladislas Fodor\, Harry Brown. Based on a story by 
 Erich Maria Remarque. Cinematographer: Victor Milner. With: Barbara 
 Stanwyck\, David Niven\, Richard Conte\, Gilbert Roland\, Joan 
 Lorring.\n\nRestoration funding provided by the Century Arts Foundation. 
 Restored by the UCLA Film & Television Archive from the 35mm original 
 nitrate picture negative\, nitrate fine grain positive and original nitrate 
 track negatives. Laboratory services by Roundabout Entertainment\, Inc.\, 
 Audio Mechanics\, Simon Daniel Sound. Special thanks to Paramount Pictures 
 Archive\, FotoKem\, Deluxe Media Audio Services.
LOCATION:Billy Wilder Theater\, UCLA Film & Television Archive
ORGANIZER;CN="Jae Nguyen":MAILTO:nguyj@g.ucla.edu
CATEGORIES:Screening
CONTACT;CN="Jae Nguyen":MAILTO:nguyj@g.ucla.edu
STATUS:CONFIRMED
UID:LibCal-16741847
URL:https://calendar.library.ucla.edu/event/16741847
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